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Software Selection

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Software Selection

Inclinical perform system Clinical conductor CTMS system

Capabilities/functions Used for clinical trial management system (CTMS), electronic data capture (EDC), document control, and contact management, query resolution for small to medium sponsors or CROs. Also offers integrated clinical solutions, produces fantastic customer status/progress reports that is extremely significant in real time. It is also easy to train people on how to use Inclinical system after database creation. It also provides the templates that are easy to use as long as they have been created. The system also has easy to use interface which makes it a great product Used in clinical financial management by tracking receivables and for clinical research. It is also a clinical trial management system (CTMS) used for research sites, hospital operations, site networks, health systems and CROs. It is more efficient, profitable and the leading clinical application in the market. Can help health institutions to make better business decisions.

Limitations Produces more errors especially when used by less experienced users. Expandability Allows future expandability since it is completely customizable, allowing users to create database that suits what they need. Also allows expandability since it has the customer service team do updates their customers on every change made to the software.

Maintenance The software is also easy to maintain since the customer support team are very knowledgeable and are ready to help in fixing problems. Easy to maintain due to the availability of customer support team

Remote/online access Allows clinical files and communication messages to be accessed online since it permits both uploading and downloading of files or creation or reports. It also supports all data generated at every site for the hospital or clinic with multiple research sites. Allows online access of files since it permits clinical research to be done in site networks.

Database compatibility It has database manager that is easy to use. The database is fairly compatible given that it offers integrated clinical solutions. Vendor support Have good vendor support in terms of highly skilled customer support team who are committed to helping in solving problems within the shortest time frame possible. Has wonderful support team that is always available to offer training on how to use the system.

Prices It is an activity based pricing application system. Licenses Recommendations

I would like to recommend the use the adoption of inclinical system by North County Veterinary Clinic given that the system has several capabilities as compared to clinical conductor CTMS system. The error experienced in the process of using Inclinical application only comes when the user has less experience. Since it is easier to train users on how to use Inclinical application, and since it is also easy to use, it remains a better option. It is also the best option because it will provide the clients with up to date status/ progress reports concerning their pets and animals.

Works cited

Integrated Clinical Solutions, “Perform CTMS & EDC Collaboration”, 2012. Viewed on 23rd/ 01/2015 from, http://www.capterra.com/clinical-trial-management-software/spotlight/102400/Perform%20CTMS%20&%20EDC%20Collaboration/Integrated%20Clinical%20SolutionsClinical conductor software

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Societies creation of the perfect image- How has it affected young peoples view of self-image today

Societies creation of the perfect image- How has it affected young peoples view of self-image today

Societies’ creation of the perfect image- How has it affected young people’s view of self-image today?

Each and every period in history has had standards of what is perceived as being or being not beautiful. Further, each and every contemporary society possesses its unique concept and idea of the best physical characteristics. During the 19th century, beauty was attributed to dressing in a corset that usually caused complications in the respiratory and digestive systems. In the society we are living in today, people try to diet in order to achieve the societal accepted image of slenderness. This often comes with serious problems in our bodies. Technological advancements particularly the rise of the media has accelerated the concerns of our appearance to obsessions. Due to the influence of the media, people are now accustomed to rigid beauty standards. The media has made people see the extremely good looks as achievable and make them to be real. Due to these societal views on beauty, it is normal for people to look in the mirror. This is usually out of insecurity even for very beautiful people. Such poor development of body image is commonly associated with young people. This is because as they grow and mature, they tend to get more conscious of their appearance.

The media, magazines as well as celebrities have a certain image. If women’s beauty does not bear any similarity to the kind that has been perceived as widely accepted, they often result to questioning their body image. Moreover, a very great role is played by culture especially among African Americans. For these people, they glorify curvy women whereas the Americans view thin women as attractive. It is therefore true that it is the society that shapes what is viewed as beautiful.

These societal and media perceptions as to what is considered beautiful has a reflection on how people react when they look at themselves in the mirror. They have made people to become dissatisfied with how they look like and therefore make them to have a less positive feeling about their appearance. This feeling affects their performance and self-esteem.

Moreover the society has placed pressure on overweight people by making them feel that they are unattractive since they do not conform to what the society perceives as the ideal body shape. This makes the have a very poor body image of resulting to a low self-esteem.

These societal standards have forced people especially teenagers to result to ways that are detrimental to their health to achieve the standards. They turn to ways like vomiting, starving as well as consuming diet foods only in an effort to be thin. The news is full of Hollywood actresses who are suffering from eating disorders. Some of the actresses die eventually as a result of these eating disorders.

These societal standards have a great impact on teenagers and mean little to adults. This is because teenagers are growing and as they grow they get more conscious of their bodies. Due to this increased consciousness, they are likely to succumb to societal pressures on what beauty is.

Most of the people are aware of how the society emphasizes on physical appearance as well as what the society considers beautiful. However, not everyone will internalize the standards. There exist strong minded people who shun these standards. Such people are likely to possess a positive and hence have a high self-esteem.

How the media views women

The media does have a powerful influence on how women view their body image. The media’s view of an ideal woman is one who has achieved the thinness that can only be achieved by only five percent orb even less of the female population. It is quite evident that the beauty standards are now very difficult to attain especially for women. The media judges women more on their appearance than it judges men. The media make the standards of female attractiveness very high as well as inflexible. It constantly and continually bombards women with the images of what an ideal figure and face should be like. Naomi wolf has named it, “The Official Body.”

Moreover the media has constant exposure of these images and this has the effect of making these extreme good looks as a normal thing. If there is anything that is short of this, it will be perceived as ugly. This has made women to strive to achieve these looks to the extent that they have become unrealistic. These standards concerning weight can only be achieved by as less as 5% of women. The standards placed on the facial appearance and body shape can be achieved by roughly 1% of the female population.

Television shows like Melrose as well as Beverly hills have made women believe that they need to be thin just like the women in them. These shows have brainwashed the women into a belief that it is very important to be thin. There are images of female bodies all over. Actresses are becoming thinner each day to an extent of fainting because of lack of food. There are very many women’s magazines that are full with articles giving women tips on how to lose weight. They in fact emphasize that if women succeeded in losing weight they are going to have a good marriage, quality sex as well as a great career.

There have been very many images on televisions, magazines as well as billboards of women who are Barbie like as well the major focus by the media that skinny women are perfect females. This has contributed to the high rise of eating disorders especially in young women.

Movies and television have reinforced that it is important to have a thin body. In fact they have shown that a thin body is equal to their worth.

Due to the very large number of females who are extremely thin and who are frequently viewed on television, a very large number of Americans are feeling overweight, even though many are average in size.

This pressure put on women by the media has had serious effects on them. The media does not put the same pressure on men. The effect of the pressure has resulted in women developing eating disorder. This is particularly so for female celebrities who have become anorexic in their bid to conform to the media requirements. This is not the same for male celebrities as there is no pressure for them to maintain a perfect body shape (Peres 2001) .It is prudent to ask ourselves why these beauty standards are being imposed on women. Some people have held that the whole idea is economic. If they represent an ideal physical attribute that is difficult to achieve the manufacturers of cosmetics are assure of regular and constant profits .The most disturbing aspect of these media images is that most of them are not attainable.

However, there are some sections of the media that are not with this current state of affairs. For example, some magazines have tried to buck up this trend. A magazine called Quebec has been using plus size models in the pages that they are displaying fashion. In other countries like Spain, The fashion houses have banned ultra-thin models from participating in the runway. This was done in the year 2006.

Effects of society on self-image

The society plays a very significant and crucial role in influencing one’s self-image. This is because people will only be comfortable when they achieve what the society expects of them. In this case, people will feel comfortable and project a positive self-image when they achieve what the society dictates as physical attractiveness. Social perceptions as well as social expectations for the young people are an issue that affects both men and women (Peres 2001).

Fat actresses have usually received from their fellow male characters very negative comments about the appearance of their bodies. Mostly they suggest that such far people can only dress in sacks and this comment is usually followed by laughter from the audience. These requirement of being skinny have forced people especially teenagers to result to ways that have their health to achieve the standards. These societal standards have a great impact on teenagers and mean little to adults. This is because teenagers are growing and as they grow they get more conscious of their bodies. Due to this increased consciousness, they are likely to succumb to societal pressures on what beauty is. They turn to ways like vomiting, starving as well as consuming diet foods only in an effort to be thin. The news is full of Hollywood actresses who are suffering from eating disorders. Some of the actresses die eventually as a result of these eating disorders.

When people are constantly subjected to this debate and pictures on the ideal physical characteristics, they start to lose confidence especially on their body image resulting to low self-esteem. Body image refers to how one looks at herself as well as how we think other people perceive us. There have been various advertisements with beautiful women and a caption encouraging people to be like the person in the picture. These messages create an impression on people that if they do not look like the picture, then they are not good enough. They form a belief that the only way they can achieve success is if they change their body appearance. When women see skinny women on television, they form this idea that to be skinny is the only way to achieve their happiness. This therefore weakens their body confidence.

The views of the society especially among the young people are influenced by the media, magazines as well as celebrities. Women’s beauty is expected to bear a resemblance to the beauty as represented by these media. If it does not bear any similarity to the kind that has been perceived as widely accepted, they often result to questioning their body image. Moreover, a very great role is played by culture especially among African Americans. For these people, they glorify curvy women whereas the Americans view thin women as attractive. It is therefore true that it is the society that shapes what is viewed as beautiful (Becker 1995).

These societal and media stereotypes on what is considered beautiful has a major reflection on how people react when they look at themselves in the mirror. They have influenced people to be obsessed with changing how they look like and if this is not forthcoming, they develop a less positive feeling about their appearance. This feeling affects their performance and self-esteem.

As a result of these societal misconceptions on beauty, people are now accustomed to rigid beauty standards. The society especially the media has made people to see the extremely good looks as achievable and makes them to be real. Due to these societal views on beauty, it is normal for people to look in the mirror to confirm their beauty. This is usually out of insecurity even for very beautiful people. Such poor development of body image is commonly associated with young people. This is because as they grow and mature, they tend to get more conscious of their appearance (Peres 2001).

Weight issues

This has been an issue that has affected people and how the view their body image. It is particularly common in young women who have been brainwashed by the society misconception that an ideal woman is one who is petite. Due to this, they spend sleepless nights dieting in order to achieve the ideal shape. There are two groups of people battling with weight issues. They are as discussed (Becker 1995). This battle with weight issues usually occurs for both anorexic and obese people. The reason why people have developed these weight issues can be attributed to the way society views beauty as well as how the media has tried to depict what beauty is. As a result of these outside factors, people develop low body image and as a result start having issues with their body weights. They often result to unhealthy measures to fight these weight issues (Peres 2001).

Anorexia

Anorexia refers to a situation where a person avoids eating food for the fear of becoming fat. It is usually an eating disorder usually as a result of disturbance of one’s body-image. This is usually an obsessive fear of getting fat. People exhibiting anorexic traits usually have a self-image that is distorted that has altered the manner in which the person perceives her body (Becker 1995). These people feel hungry but refuse to eat to satisfaction. There is a research group in America called, ‘The American Research Group on Anorexia and Related Eating Disorders that has found out that almost two in out of six college girls are using weight control methods like vomiting, fasting , skipping some meals as well as doing excessive exercises in order to stay thin. Majority of celebrities have been reported to be anorexic. In fact a couple of them collapse on stage due to lack of enough energy in their bodies. To add salt to the injury celebrity deaths out of anorexia have been reported in Hollywood and even outside Hollywood (Becker 1995).

Anorexia normally develops among individuals at the onset of puberty. These people will usually suffer from a very extreme weight loss and their weight is usually 15% below that of a normal person. It is common with adolescent girls who continue to believe that they are fat albeit being extremely thin.

Obesity

Obesity is a condition of being overweight. There is a lot of fat-phobia and prejudice leveled against obese people making them to have a poor body image hence affecting their self-esteem. This feeling of low self-esteem is particularly high in women than men. Studies have shown that the feeling is greater than when one is suffering from a severe disease (Becker 1995). Further the studies have shown that this feeling of low self-esteem is not cause by being overweight but rather because of how the society perceives fat people. In countries or place with no fat-phobia obese people have no these feelings. The issue of obesity has been prevalent for a longtime especially among children and adolescents. Despite this increase, there is pursuit of thinness among girls who view thinness as attractiveness. This cultural emphasis on thinness coupled with the stigma attached to obesity is likely to lead to the youth especially young girls to have a feeling of dissatisfaction about their bodies. These people are likely to engage in eating disorders in bid to lower their weight.

Weight issues before and now

In the year 1917, a woman was considered physically perfect if she was 5feet in height and whose weight was 10 stone. Moreover approximately like 25 years back models ideal weight was supposed to be less than that of an average woman by 8%. Today, the ideal weight of a beauty queen is supposed to be 23% less than that of an average woman. In fact most of the models we see on the catwalk are so skinny that one is amazed what they eat to have such a body. These appearances have had a negative impact on women as they strive to achieve such a body shape no matter the consequences (Becker 1995).

Earlier, an ideal woman was a curvy woman. This situation helped women to stay healthy as they did not have to starve themselves to conform to the society’s misconceptions. But either way, it was a headache for the slender women as not everyone is capable of being curvy. This shows that it is not good for the society to define what is ideal but rather people should be appreciated for who they are and not what they look like. There was an article appearing in the New York Times in 2008 which discussed how models are getting thinner and thinner each day. The paper said that such models are required to have a very small waist of about 28 inches and a weight of about 150 pounds. Due to these demands, the article acknowledges that there has been an increase in eating disorders among young people.

It should be note that it doesn’t matter how the society project beauty. Whether the society prefers curvy or skinny women will still have negative effects. This is because; all people can never be the same. We have both curvy and skinny women. Therefore, if the society prefers curvy women to skinny women, the skinny women are likely to result to low body image and vice versa.

How artists show weight issues

There are many images showing celebrity faces as well as body parts. These artists are role models of very many people who are usually their fans. We usually watch videos of artists singing of very beautiful girls that they are in love with. All these girls are skinny. When people especially teenage girls view these videos, they get an impression that beautiful girls are supposed to be skinny. These videos show body sizes that are impossible to attain hence creating a pressure on people. Artists pose in magazines like playboy, pinups thereby creating the society’s obsession with body image. Moreover most of the fashion designers and their shows mostly exhibit clothes that are to be worn by thin women (Becker 1995). It is rare to find a fashion show that exhibits outfits for all groups of people. By so doing, they help in emphasizing the notion that only being skinny is the ideal definition of beauty. Since artists are role model for young people, they tend to imitate what they do, wear or look like.

Bearing in mind that a majority of these artists are skinny, pressure is put on their fans most of who are young to be thin so that they can be like them. Instead these artists should reach out to their fans to avoid dieting but rather live healthy lives. This way, young people will be encouraged to live healthy lives and to avoid conforming to societal stereotypes. Artists should especially bear in mind that they are role models for young people and that these young people are likely to copy what they do (Becker 1995).

Conceptual art

Definition

One should be careful not to confuse this type of art with concept art. Conceptual art is the type of art where the ideas that have been used in the work come first before any concerns that are material as well as aesthetics that are traditional. This is to mean that in this type of art, the most important thing is the concept.

History

This type of art basically emerged in form of a movement in the 1960’s. It emerged as a reaction that was against a type of art called formalism. This type of art originated from France by a French artist called Marcel Duchamp. His most famous conceptual art was a basin used in the urinal. Traditionally, such a common object could not be said to be a piece of art. This is because it had no elements of uniqueness. However his work as art was recognized by an artist called Joseph Kosuth who held that all pieces of art are conceptual owing to the fact that art can only exist conceptually.

How it works

This type of art has removed the need for having objects. The works of conceptual artists are only known through documents like photographs as well as written texts. They usually emphasize on concept rather than on other qualities like the aesthetic value of a piece of art. It further centers on language and holds that language is the very first wave for conceptual artists. This is to say that their excusive medium in their art is language. This use of language removes the need for use of and handling of materials to create a piece of art.

Examples and explanations of conceptual art

There are very many conceptual artists in the world today. However, for the purposes of this discussion, we shall only focus on two conceptual artists. We shall use them to explain and show examples of conceptual art. They are discussed as follows:

Jenny HolzerShe is a conceptual artist from America. She was an abstract artist originally and her work was focused on painting. She later became a conceptual artist. The example of conceptual art she uses is words and ideas on a public space. The visible medium she used was LED. However she also uses bronze plaques, t-shirts as well as condoms. She used to write her own texts for her use but now she uses texts written by other people. Her most famous works of conceptual art are ‘Truisms’ which was written in 1972, ‘inflammatory essays’ that was based on texts written by other people, a living series written in 1980’s in which she used bronze plaques as well as billboards and also a ‘survival series’ as well as a text called ‘under a rock’ among other works.

Barbara Kruger

She was also an American conceptualist whose majority of work was black and white photographs that had captions that were declarative. Her type of conceptualistic artistry involves merging of photographs with text that is usually aggressive and engaging the viewer to struggle for power. She uses her imagery and juxtaposes it with texts with criticisms about sexism as well as the circulation of power among cultures. Her work is an example of conceptual art whereby texts are used as the main concept in a piece of art.

Conclusion and findings

To start with, it is good to appreciate that the society has greatly erred by defining what beauty is. The society should instead focus on one’s inner character and leave the physical characteristics lone. It doesn’t matter whether the society prefers skinny or curvy women since each preference will have an effect on the less preferred category. Without these definitions, people will be able to appreciate their bodies. But it is not easy to dictate to people what they should do. It therefore clear that to fight this low body image as a result of these perceptions should begin with an individual.

Society’s stereotypes on what is the ideal physical appearance have had a negative impact on body image especially of young people as seen in this discussion. If something is not done to educate the young people on the dangers of conforming to these stereotypes, they could end up losing it all .Most of the influence for these young people is coming from the media. The media should be encouraged to promote healthy living and to advise young people to lead a healthy lifestyle as well as avoid imitating what they see on television. They should further emphasize that a person should be judged from the inside and not merely from physical appearances.

Most of the people are aware of how the society emphasizes on physical appearance as well as what the society considers beautiful. However, not everyone will internalize the standards. There exist strong minded people who shun these standards. Such people are likely to possess a positive and hence have a high self-esteem (Peres 2001).

It is very unfortunate that our today’s society, people do not remember that it is usually what is in a person inside that count. It is prudent to realize that we should accept people for what they are and not what they look like. Any time that one decides on dieting, we should shun that thought and instead join a self-esteem class. It is good to learn to accept ourselves as this will help us to begin to love our bodies not withstanding our sizes.

It is every person’s responsibility to try hard and rise above these societal expectations and instead stand on their self-worth and valuation. Since young people are not mature enough to disentangle from the society’s perspective, they require their parents to protect them.

There is also need to impact knowledge in our children that they should be proud of who they are. They need to be reminded that people will never be the same but rather they will be of different sizes and shapes. They should therefore learn to appreciate all people. Moreover, they should be constantly reminded the values of eating healthy foods for their bodies. The move by some magazines to include plus size models in their fashion pages is commendable. This is because it will assist in boosting the body image of the plus size. This is owing to the fact when these women appear on magazines, an impression is created that even plus size people are attractive (Becker 1995).

Moreover, there is need to educate teenage girls of the dangers of anorexia. They should be made aware that anorexia cause one to develop bones theat are shrunken, loss of minerals, an abnormally low body temperature as well as irregular beating of the heart. When these dangers are highlighted then many young people will be deterred from developing this condition. This effort can be supplemented by using people who were anorexic but changed, to persuade others against it.

Finally, it is important to instill the value of independent mindedness and high self-esteem among the young people. It is also good to note that even though most of the people are aware of how the society emphasizes on physical appearance as well as what the society considers beautiful, not everyone will internalize the standards. There exist strong minded people who shun these standards. Such people are likely to possess a positive and hence have a high self-esteem.

Works cited

Becker, Anne E. Body, self, and society: the view from Fiji. 2nd Ed. Pennsylvania. University of Pennsylvania Press. 1995. pp24-pp78

Perse, Elizabeth M. Media effects and society. New York. L. Erlbaum Associates. 2001. pp248-pp279

Visual Analysis Essay

Visual Analysis Essay

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Visual Analysis Essay

The LGBTQ flag or the gar pride flag is a unifying symbol for all lesbian, gay, bisexual, transgender and queer people all over the world. The flag was created by Gilbert Baker in 1978 but has undergone several modifications since then. The flag is used mainly used during gar marches and other LGBTQ events. The flag has significant meaning for all people in the world as it is meant to show the LGBTQ people are proud of who they are and that they demand equal rights. LGBTQs have faced social, political and economic discrimination all over the world and many are afraid to come out and live their truth. The rainbow flag is a sign of their unity, diversity and pride in who they are.

The rainbow flag is made up of different colours of the rainbow arranged horizontally. Some of the colours have been changed depending on the availability of the fabric. The original flag was made up of eight shades. The topmost stripe is hot pink which represents sex. Next is the red colour, a symbol of life, the colour of blood. The colour orange shows healing and after it is yellow, the colour of sunlight. Naturally green is the colour of nature followed by turquoise signifies magic and art. Indigo is the colour of peace and serenity, and finally, the colour violet is the bottom stripe indicating spirit (Lange). Many variations today do not include hot pink due to its unavailability and violet, and turquoise and indigo were merged to blue.

The reason as to why the flag has all colours of the rainbow is to show the diversity that exists in the LGBTQ community. Everyone is accepted, regardless of their colour, race, or origin. Looking at the flag can invoke many feelings in the audience. First, it is a sign of diversity and inclusivity of all people. The colours also have different meanings in all areas of life. For the LGBTQ community, the flag invokes emotions of pride and acceptance of who they are. It is a representation of their beliefs and what they would like the world to see, that everyone is equal.

The flag has an important social significance. For many years, the LGBTQ people have faced discrimination of unbelievable proportions right from their homes and families, to their schools and their places of work (Meyer). Only recently has there been increased awareness on the rights of LGBTQ people as any other people. Many states in the United States and other countries have legalized same-sex marriages. This is not to say that the fight for equality has been won. Instead, it is just beginning. Politicians vying for office have made their stance on LGBTQ rights clear with many standing for the equality of all human beings and others taking a different position.

Just recently in the United States, there has been a raging debate on whether transgender people should serve in the military (Mendez). The discussion is not about whether they are physically capable of serving their country; the issue is with their sexual orientation. All over the world, LGBTQs have faced violence and a threat to their lives. In Paris, France, a transgender woman was attacked by several men on the street for no reason at all (Meheut). Homophobia is still rampant, and this needs to be addressed. In some countries, same-sex relationships are punishable by imprisonment and even death. The authors of these actions base their argument on religion and ethics that relationships should be between a man and a woman.

The fight for the rights of LGBTQ people has been won on several fronts. The legalization of same-sex marriages in many states all over the world is one of these wins. Discriminatory practices against LGBTQs at work and school have been banned, and this has enabled many people to come out of the closet and live their lives openly (Meyer). This is not to say that there have been no setbacks. Many people still face rejection by those that they love because they cannot accept the person’s sexual orientation. People still face violent attacks even in public because of them being LGBTQs.

The leading cause of hostility against LGBTQs is because people believe that their choices are wrong and encourage other people, especially young people, to take the same path as them. So their hostility is also informed by fear and baseless beliefs. To solve this matter, there needs to be public awareness on the fact that LGBTQs are people just like everyone else and they deserve to be treated with respect and love like any other human (Meyer). They are who they are, and their choice of partners and sexual orientation does not hurt anyone else. The gay flag is a symbol of diversity, and the world should embrace this diversity.

In conclusion, anyone who looks at this flag should remember that it is a sign of pride for the LGBTQ community and how hard they have fought to be recognized as people who have rights and equalities. Every person all over the world is affected by this issue because they have witnessed or heard about acts of discrimination and violence against the LGBTQ community. It is a reminder that they should treat everyone fairly and equally, with love and respect. They are not trying to force their beliefs upon anyone; they are trying to live their lives freely without fear and prejudice. The audience should take it upon themselves to become more informed on LGBTQ issues and make everyone else aware.

Works Cited

Lange, Abby. “Comrades Under the Rainbow Flag: Public Expression, Regulation, and Questions Surrounding the LGBTQ Community in Contemporary Taiwan.” (2015).

Meheut, Constant. Video of Assault on Transgender Woman in Paris Spurs Outrage, and a Shift. The New York Times. 4 April 2019. Retrieved from https://www.nytimes.com/2019/04/04/world/europe/transgender-woman-attacked-paris.html?rref=collection%2Ftimestopic%2FHomosexuality&action=click&contentCollection=timestopics&region=stream&module=stream_unit&version=latest&contentPlacement=4&pgtype=collectionMendez, Endia T. Transgenders in the US military: policies, problems, and prospects. NAVAL POSTGRADUATE SCHOOL MONTEREY CA, 2014.

Meyer, Doug. Violence against queer people: Race, class, gender, and the persistence of anti-LLGBT discrimination. Rutgers University Press, 2015.

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Violence in Congo

Violence in Congo

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Violence in Congo

Research Question

What are the main contributors to the violence in the Democratic Republic of Congo?

Background

Overview

The Democratic Republic of Congo is a country located in the central part of Africa. DRC was colonized by Belgium between 1885 and 1960. The vast mineral resources were a main attraction for Belgium. The DRC has had a turbulent political past since its independence, which is one of the reasons for long-standing violence in the country. The country’s first President, Mobutu Sese Seko, ruled between 1965 and 1997 under a dictatorial form of government. Mobutu’s rule came to an end with a rebellion led by Laurent Kabila in 1997. Several other east African countries including Rwanda and Uganda supported the rebellion that saw Kabila installed as president in May 1997. President Kabila made efforts to strengthen institutions such as the judiciary in the country. His son, Joseph Kabila, took over as Resident upon the elder Kabila’s assassination in January 2001. Joseph Kabila set up transitional government with autonomy for the three branches of government. The DRC held its first democratic elections in late 2018 with opposition leader Félix Tshisekedi sworn in as president in January 2019. The DRC continues to have weak government systems even with democratic elections held for the first time,

The DRC has immense economic resources mainly from its mineral deposits as well as rubber found in the country. The country has approximately $24 trillion worth of mineral deposits within its borders. Although these resources should be a source of wealth and prosperity to the country, Congo has suffered many problems. Congo supplies gold, cobalt, tin, diamond, lithium, tantalum and other precious minerals to the world. The DRC’s mild climate is also conducive for the production of rubber. During the various civil unrests in the country such as the Second Congo War between 1998 and 2003, the country faced massive looting of its minerals by civilians, foreigners and armed forces.

Key Issues

The main causes of violence in the DRC are weak government systems, massive corruption, fights over mineral deposits, and the refugee crisis from the Rwanda genocide. The 1994 Rwanda genocide led to a mass exodus of civilians from Rwanda seeking asylum in neighboring countries, one of these being the DRC. Most of these refugees were Hutu. Congolese rebels attacked the Hutu community supported by Tutsis in power in Rwanda (Mathys 465). These armed groups claimed that they wanted to track down those who participated in the genocide. The Congolese government could not control the armed groups in the eastern part of the country, leading to rampant violence. These Rwandan groups eventually supported the ousting of Laurent Kabila as president.

The DRC has weak government systems that contribute to the violence in the country. The government shows little commitment to strengthening institutions under the constitution. The president controls all arms of government, meaning there is no justice or accountability for those supporting and funding violence across the country. Massive corruption has also crippled the DRC and led to violence (Vadheim 13). Government officials own many mines across the country and channel resources to their own pockets rather than the development of the country. A perfect example of this is President Joseph Kabila who has amassed over $ 2 billion during his thirteen years in power, a mind-boggling sum in the impoverished nation. The government and other foreign bodies keep funding the various armed forces in the country to keep the war going (Vlassenroot & Verweijen 103). When the country is unstable, these powers have ample opportunities to loot the country while its citizens are too busy trying to survive. The DRC has more than 4 million internally displaced persons from the civil unrest, which also left more than six million dead. The violence in the DRC is a dire problem that needs urgent international attention.

Works Cited

Mathys, Gillian. “Bringing history back in: past, present, and conflict in Rwanda and the Eastern Democratic Republic of Congo.” Journal of African History 58.3 (2017): 465.

The Rwandan genocide is one of the main contributors of violence in Eastern DRC. The authors of this article explore the domino effect of the Rwandan genocide on neighboring countries. The article also highlights how the genocide shaped DRC politics. The article is reliable as it is current and peer-reviewed.

Parker, Dominic P., and Bryan Vadheim. “Resource cursed or policy cursed? US regulation of conflict minerals and violence in the Congo.” Journal of the Association of Environmental and Resource Economists 4.1 (2017): 1-49.

This peer reviewed article published in 2017 analyzes the causes of violence in the DRC. The weak government policies have been blamed for violence. The authors also explore whether the relationship between weak government policies and misuse of resources in the country. Should the resources be blamed, or policies regarding these resources? The article helps readers understand the effect of policy on the DRC violence.

Rustad, Siri Aas, Gudrun Østby, and Ragnhild Nordås. “Artisanal mining, conflict, and sexual violence in Eastern DRC.” The Extractive Industries and Society 3.2 (2016): 475-484.

Women are one of the groups most affected by the violence in the DRC. This source is useful as it details the relationship between mining and sexual violence against women. The article also explores the idea of conflict minerals, supporting the argument that minerals are the primary cause of violence in the DRC. This source is relevant because it is peer-reviewed and current.

Vlassenroot, Koen, and Judith Verweijen. “Democratic Republic of Congo: The democratization of militarized politics.” Africa’s Insurgents. Navigating an Evolving Landscape (2017): 99-118.

This article sheds light on the various armed rebel groups that continue to fuel violence in the country. The nature and constitution of these groups vary. The main reason why these groups continue to thrive is that some political leaders use them to fuel conflict to their benefit and hide their corrupt activities. Understanding how these groups operate will be useful in understanding why there are so many militant groups and why the government cannot or does control them.

Zeuner, Brett. “An obsolescing bargain in a rentier state: Multinationals, artisanal miners, and cobalt in the Democratic Republic of Congo.” Frontiers in Energy Research 6 (2018): 123.

The Mining industry in the DRC has many players, from small artisans, industries to multinational groups. The politics in the country have a significant influence on how these groups operate within the industry. This article will help readers understand how the political leaders of the country regulate the participation of these bodies, and how it affects political stability and resource dependency in the country.

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Ujamaa in Tanzania

Ujamaa in Tanzania

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Ujamaa in Tanzania

When Tanzania gained independence from colonization, the country adopted the ideology of Ujamaa which translates to family hood. The country’s first president, Julius Nyerere, saw this new ideology as the best path towards social and economic sustainability in the country. Ujamaa has some distinct features, the first of which was rural development. Under Ujamaa, the government concentrated on developing rural areas to address imbalance in rural and urban areas. Another feature of Ujamaa was the creation of model villages where people lived and worked together as a community (Sheikheldin 91). In these villages, people worked on collective farms to promote social equality. Individuals could not claim any property, everything was communal. Under Ujamaa, President Nyerere also introduced universal primary education and improved access to health services in rural areas. These two programs were meant to further promote equity and encourage development in rural areas of the country. The emphasis on communal development in the country discouraged the idea of political and social elite as everyone was equal. Ujamaa also promoted discipline among leaders.

Although the socialist ideology of Ujamaa sounded good in theory, it failed to live up to its expectations in Tanzania. One reason for this is that the country relied on traditional methods of agriculture and failed to modernize (Keski̇n & Abdalla 298). This resulted in low output due to inefficiency. Additionally, the country only focused on subsistence farming which did not bring in any revenue. Secondly, the Ujamaa system had many administrative errors. The allocation of communal work spaces remained largely unproductive. Most of the crops grown were unsuited to the areas in terms of infertility of the land and other aspects such as weather and type of soil. The country also had poor infrastructural network, posing a challenge to agriculture which was the mainstay of the economy. Although Tanzania implemented the socialist ideology of Ujamaa to promote social equality in the country, poor implementation eventually led to failure of the program.

Works Cited

Keski̇n, İbrahim, and Mohd Juma Abdalla. “The Sociological Analysis Of The Failure Of Ujamaa Policy.” Academic Review of Humanities and Social Sciences 2.3 (2019): 297-313.

Sheikheldin, Gussai H. “Ujamaa: Planning and managing development schemes in Africa, Tanzania as a case study.” The Journal of Pan African Studies 8.1 (2015): 78-96.

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Trumpet Player

Trumpet Player

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Trumpet Player

Part 1: Scansion and Analysis

Langston Hughes is one of the most famous American poets from the mid-1950s. He wrote many poems about slavery and the African American experience. Some of his poems also touched on music, especially jazz. ‘Trumpet Player’ combines his style of poetry, describing an African American playing jazz music in a bar. The poem explores the emotions of the jazz performer and employs literary devices such as rhyme, enjambment, and figurative language.

Reading through the poem ‘Trumpet Player’ the first thing to notice is the difference in length of the stanzas. The whole poem is made up of six stanzas, but the last two are shorter in length compared to the others. Stanzas one through four are made up of eight lines each, and the last two only have six lines. Another characteristic of this poem is enjambment, where ideas flow from one line into the next one. To show this, in the first stanza, line 6 is a continuation of line 5 “where the smoldering memory/of slave ships.” (5-6)

The poem can be said to be unstructured because there is no clear set to the number of words in each line. For example, in the last stanza, the two lines, “as the tune comes from his throat/trouble” (42-43). The word trouble makes up a line of its own while the other words are a separate line showing variation in the number of words per line. ‘Trumpet Player’ is, therefore, a free verse poem. The poem is grammatical because it follows conventions of language; all words used in the poem are to be found in everyday conversations. The punctuation in the poem is, however rather unconventional, the punctuation marks used are commas and dashes, but even these are used very sparsely. The entire poem only has three commas, found in stanzas 2, 4 and 5. There are two dashes; found in stanzas two and three. In the entire poem, there is no full stop showing a continuous flow of ideas into each other.

From first glance, it is challenging to detect the rhyme in the poem because it is not very obvious. However, as one listens or reads more keenly, there is some rhyme to be found. An example of rhyme is in lines 2, 6 and 7 in the first stanza, “With the trumpet at his lips/ of slave ships/ Blazed to the crack of whips” (2, 6, 7). The rhyme comes at the end of the lines. There is also rhyme in lines 4 and 8 in the second stanza, “tamed down/ were jet a crown” 12, 16). There is no definite pattern to the rhyme in a stanza; therefore, the reader has to be quite ardent to pick them out.

Part II: Explication

The poem is set in a bar where an African American musician is playing jazz music. The first stanza explains that the jazz player is exhausted, mainly from the memories of slavery. The evidence of his weariness is found in line 3, “Has dark moons of weariness/ Beneath his eyes.” (3-4)He recalls the slaves travelling in ships that ferried them to their masters and the severe physical suffering they had to endure, such as being whipped. Hughes refers to the jazz player as ‘the negro’. One of the notable characteristics of African Americans is their kinky hair, and the jazz musician who is the subject of the poem has his hair chemically treated to make it smooth and soft. The second stanza describes “has a head of vibrant hair/ tamed down.” (15-16) Musicians in the mid-90s favoured this type of hair over their natural afros.

Stanza three and four explain the musician’s desires and wishes. He longs for a free world devoid of slavery, for the moonlight and the sea. However, all these longings cannot be achieved; hence, the only sea for him is his glass, and the moonlight is only a spotlight in his eyes. The musician is passionate, as shown in stanza 3, “is honey/ mixed with liquid fire” 18-19). His music is both sweet and fierce, fuelled by the desires of his heart to be free. The ideas of moonlight and the sea are romanticized to show the desire for peace and serenity in a chaotic world.

The last two stanzas give us s glimpse of how the music finally takes over the jazziest and influences his emotions positively. The process is subtle such that even the jazzist himself does not realize when the music begins to calm his spirit, “does not know/ upon what riff the music slips.” (41-42) he is wearing a jacket with one button as he is on stage. The music injects him with peace, and as the scene closes, the poet explains that the troubles of the moment are gone and from the musician’s throat issues only a ‘golden note.’

In conclusion, the poem ‘Trumpet Player’ dwells on the experiences of many African Americans during and after the era of slavery. The jazz player reflects on slave ships and the whipping of slaves and longs for the sea and moonlight where peace is to be found. Finally, the music played has a calming effect on the strong desires of the player, and he is peaceful. Hughes lived in the times in which the poem is set, and the poem reflects what he and other African-Americans went through and longed for. The conclusion of the poem shows that music is a powerful tool that can calm even the most restless spirit.

Works Cited

Hughes, Langston. Trumpet player. CE Merrill, 1969. Retrieved from https://allpoetry.com/Trumpet-Player

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Topic Two

Topic Two

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Topic Two

More and more people are choosing to keep working at an advanced age when they could consider retirement. Although these workers have a lot of experience in their area of expertise, joining a younger workforce poses some challenges. Some employers think that older adults may be slower or less familiar with current technology and practices. For such reasons, employers might overlook older workers who are overqualified or unsuited to some positions. The Monster.com article titled ‘Job Interview Tips for Older Workers’ offers some pointers to older workers on how they should present themselves as excellent candidates for a job position. The tips offered in this article would be suitable for Linda Loman to pitch to her husband, Willy Loman, from the play ‘Death of A Salesman.’

The first point that the article makes is that an older worker should be confident but humble. Older workers such as Willy may need to keep working for longer due to financial needs, for example Willy needed to pay for his car and home appliances. Some older workers may feel that their long years of experience entitle them to look down upon younger workers who are not as experienced. Willy Loman is guilty of lacking humility in the play. Willy considers himself a successful salesman and likes to brag about his experience. Despite his claims of success, Willy can hardly afford to pay for his car and the appliances in their home. During the course of the play, Willy is fired from his job. He resorts to asking Charley for a loan, and Charley responds by offering him a job. At his advanced age, Willy has low prospects for a job offer. However, he refuses to take Charley’s offer. Willy tells Charley, “I can’t work for you, that’s all, don’t ask me why” (Miller Act 2). Linda should advise Willy to remain confident in his abilities and be humble enough to take the opportunity offered to him. Willy likely thought the job offer beneath him, a negative attitude for an older worker trying to get a job.

Another point the article makes is that an older worker should take age off the table. Willy Loman insists on keeping a traveling job from New York to New England, although it is difficult for him to make the journey at his advanced age. When he was younger, it was an easy job for him, but as he got older, he got more tired. Linda Loman, in this case, should advise her husband to take a job in the New York office that doesn’t require much traveling. Rather than talk about his age as the main factor, Willy should leverage his experience as an asset. Willy should tell his bosses that he thinks his experience would best be used training a new generation of salespeople. Given the long years he has put into his work; his bosses would let him take on a lighter training role in New York. Older workers should realize that the first thought for many employers is that they are old and slow. They should counter this narrative by presenting the advantages that years of experience give them.

In summary, the article on older workers fits perfectly with Willy Loman’s situation. Linda Loman would be the ideal advisor to her husband; given the many years she has devoted to supporting his dreams. Linda should encourage him to be confident but humble and take age off the table by proving that he can adapt to any situation. Like many older workers, Willy seems to resent the changes taking place in his profession and thinks of any other position as unworthy of his experience. Older workers first need a change of mindset that includes embracing change, which will help them navigate the new workplace. Works Cited

Miller, Arthur. Death of a Salesman: Revised Edition. Penguin, 1996.

Monster.com. “Job Interview Tips for Older Workers.” Atlanta Journal-Constitution, 14 February 2021, p. H1.

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CARVER YACHTS –The Carver 35 Super Sport

CARVER YACHTS –The Carver 35 Super Sport

CARVER YACHTS –The Carver 35 Super Sport 

An oversized Nova Cool refrigerator backs up the galley’s functionality: this is one of those extraordinary escapes you say; “It’s time for greatness, a time for idealism, and not just for compassionate words, but compassionate action.”

Sure, it’s undeniably interior and exterior given the optimum attention by the Carver’s workforce whose craftsmanship dates over 50 years. The 35 Super Sport Yacht maybe the smallest cruiser in the Carver’s line up, but what happens when you incorporate maximum open layout, spaciousness, luxury, and future loaded electronics on an overall length of 38’3”?

Well, guess what! Carver Yacht just did it. Her general interior reminds you of the popular Obama’s phrase; “The thing about hip-hop today it’s smart, it’s insightful. The way they can communicate a complex message in a very short space is remarkable”.  Actually, the precise communication and functionality the 35’s layout was build on….

Key Features

Full-beam salon

Cherry wood cabinetry, trim, doors all through cabin

20 inch flat display TV with DVD

Fully appointed galley

Face-to-face dinette with counter seats

Head features completely enclosed shower stall with integral bench seat

Optional sport package with eight rod holders, bait well with aerator pump, insulated fish box, and cockpit lights

Cockpit Layout

Perhaps you’re in the company of young entertainment enthusiasts and you want the put up a dancing floor space, or put in a table and chairs for old folks who just want to relax and have that breath taking view of the rising water on mid-level throttle; the cockpit area facilitates this kind of feature with its wide open layout.

In the deck area there is an entrance to the shore power along with cable hook-ups which can be located on the portside. While readily available by the transom door is the hot and cold transom shower. While through the transom door you can get to the oversized swim platform amid stainless steel swim ladder below the platform. Of course, an integrated folding ladder would be perfect in the platform as to below the platform since access would be tricky while trolling in choppy waters.

Her Bridge Above

Access from the cockpit to the bridge is via a few molded steps up. Skipper’s and companion settees are integrated with armrests which stand on top of adjustable pedestals. Canvas and various bulky items can take up the space in the large watertight cabinets. A large comfy chaise longue is positioned in front of the helm where crew or family members can enjoy a delightful cruise.

The helm itself accompanies split shifters, stereo remote, Teleflex combination gauges, tilt wheel, and further added space for additional electronics. On the dash there’s a wood grain that gives that touch of style look; and the black pad lining on top of the dash is of an added advantage, since one is able to go through the instruments easily. The high stainless rails makes movement to the bow secure when either adjusting the windlass or laying out the optional sunpad for a great day at the summer.

Cabin Features

The Carver’s pleasure begins on entering the cabin, thanks to her Cabin’s tinted sliding glass door incorporated with a standard screen door. You can actually enjoy great view from any angle within her 360-degree designed windows. Her airy and bright full-beam salon definitely won’t go unnoticed: Cherry wood décor makes the cabin appear warm and inviting.

To starboard there’s an L-shaped settee that defines what an ideal lounge to converse, or staying up late watching your favorite show on the standard 20 inch flat display TV. If any thing comes up that needs spacing or entertaining guest, the carver gave attention to space placing movable table and optional stools to facilitate another arrangement to accommodate these needs.

For instance, you may have more guests than anticipated, and you need to accommodate them all comfortably – a larger conversational dinette can be converted to a double berth. The dinette can sit a maximum of four adults comfortably, plus it has abundant storage underneath the seats. Her counter top is neatly finished with cherry wood while a dry bar and glass shelf decorates the walls.

Chef’s DelightOver to the galley, which includes; a stainless steel sink, microwave, coffee maker and a built-in garbage can. While more to the galley’s purposefulness, is the Nova Cool refrigerator and freezer. Entrance to the boat’s head is via both master stateroom and salon. The carver 32 super sport also features a stylish vanity, separate shower stall and Vacuflush lavatory.

Master StateroomThe master stateroom room involves an elegant queen-sized berth; which entrance to this are is through either sides. Here you’ll also find entertainment features to relax guest before sleep. For example; there’s an optional flip down 15 inch flat screen TV, DVD, and separate A/C controls to modify the environment when it’s too hot. After long cruise day and dried your gear, two cedar- lined hanging lockers makes your gear wrinkle free as well as keeping them fresh.

Further storage space in the master can be utilized through the included seven cabinets and encircling shelves. Final and optional stateroom is on the starboard side of the boat, which you have the option to include queen-sized berth or double berths. And also guest here can find more hanging lockers for overnight gear.

Performance The entrance to the engine room is via the salon floor, the engine itself is completely gel coated for clean appearance with every wire marked and tied down. Regular maintenance check is simplified since both engines can be accessed in either side. The Carver 35 Super Sport accomplishes a top speed of 33.9 mph turning 5100 rpm on two 350-hp Crusader 6.0 MPI engines. However, with 78 gallons of fuel, four persons onboard, and 20 gallons of water her most economic speed is about 4000 rpm cruising 25.3 mph for a range of 467 miles.

The Carver 35 Super Sport rides and handles like those large vessels: But one thing is for sure, with great performance results realized and the options of one or two staterooms there’s no doubt the Carver family will surely have great success with this boat.

Specifications

Length Overall38′ 3”Dry Weight

21, 000 (w/fuel & water)

Beam13′ 1”

Fuel Cap 311 gal.

Draft3′ 1”

Water Cap 78 gal.

Deadrise/Transom N/A

Bridge Clearance 14′ 8” (w/arch)

Max Headroom 6′ 7”

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CARVER YACHTS – The Carver 530 Voyager

CARVER YACHTS – The Carver 530 Voyager

CARVER YACHTS – The Carver 530 Voyager

It’s the owner’s dream come true: And while at the helm station, please don’t get puzzled, it’s not a starship!

It’s time to cut off your long awaited luxury Motoryacht; Carver’s new flagship – the 530 Voyager defines how things have changed in the world of cruising today. While this fussily appointed 12’4″ wide and 11’10” long boat seems as a custom yacht. A superlative motoryacht with an American rare breed, it does not only bestow luxury linguistics and housing of a motoryacht designed overseas, but it also has the ironclad service contract protection which is readily accessible by an American builder.

A complete surprise awaits you from the 530’s open spacious salon; to her expedient pilothouse layout, and to its big cozy staterooms. Conceivably, the biggest astonishment is that it’s a production boat applauded for long distance cruising. While her fetching price of below $1 million makes you think… Is it truly a “Voyager”? Of course, built for only serious cruising clientele, – but it’s not a waterfront condo or rather your rare trip boat. In fact, cruisers are using this vessel to go as far as Pacific Coast on the Acapulco, Guerrero Mexico…

To lay bare on this, the 530 Voyager justifies…

Stylish, Sophisticated and Exiting Pilothouse

Carver’s 530 Voyager Pilothouse is classy, sophisticated and exiting. In fact, the company is in the forefront when it comes to maximizing interior living space. On entrance it integrates a double wide sliding door keen on the split level main deck. The cockpit level salon incorporates seven feet of headroom and measures 12’4″ wide and 11’10” long, as earlier mentioned.

To starboard there’s an incorporated informal settee which can be alternated into a double berth and pinch. Over to the port, things even get more interesting – spurting out from the port is an island bar and which forward, is the fully equipped galley. You’ll notice a great account on the amount of space incorporated here as well as storage quarters. And with the Sub-Zero refrigerator, stainless steel sinks, three burner electric stove and microwave/convection oven any chef can be a champ in the full prep department.

Her entertainment center includes a 25 inch TV, VCR and stereo rack system and you can have some bona fide punch from the craft’s surround sound system that engulfs the entire boat. The 530’s pilothouse is not only done with a mega-yacht style design, but her pilothouse is spectacular and includes a wraparound centerline helm station with a non-glare console and custom gauges as well.

What’s more there’s also an overhead console for adding flash-mount of electronics and a possible display for the two camera close circuit TV which watches over the engine room and the transom area. There’s also is superior visibility forward and on both sides, and when the skipper seat swivels around, you have a clear shot of the transom.

In The Master Stateroom

Entry to the stateroom is down through a curved stairway, where you’ll find cherry wood all over and that’s just a tip-off of what the Carver 530 incorporates. The master stateroom’s arched doors and warped bulkheads add to the impressive design as it does to the queen-sized bed in the alcove. The master stateroom itself includes a pair of night tables, adjusted drawers, two setter line closets and plenty of cabinets. Moving forward is the mid stateroom located up in the bow attributes similar characteristics in the master. For instance; centerline queen berth, round hatch overhead and direct access to guest head shower.

Let’s head Up Top

The bridge deck is accessible from the pilothouse or the cockpit ladder, the separated deck does double functions as both the command and entertainment center. While in the helm there’s a repeat of electronics and full instrumentations. Moreover, the starboard is a wet bar and an optional ice maker; behind the helm there’s a spot for seating seven and an adjoining table with an additional two personal settee on the opposite. Generally, the bridge deck overhangs measures 6 feet long 11 feet wide which is big enough to house the optional Zodiac Dinghy.

Engine

The 530’s power comes from dual Volvo Penta 74P inboard diesels engines. The most consistent engine manufactures known to the world. This power houses are electronically controlled, so they specifically require the amount of fuel needed depending on operating temperatures and load. The inline six arrangements offer a virtually narrow envelope for further space in the engine room and together with better engine response.

The Volvo Penta 74P affords nearly vibration free operation, muted noise levels and smooth idling around the docks. This engine package also accompanies electronic controls on both helm stations for unproblematic operations and the net result of computer controls is reduced exhaust, easy maintenance and reduced fuel consumption.

Test results highlights for the Carver 530 Voyager indicates her to cruise speed is 28.2 Mph, burning 53.8 gallons per hour while her best performance cruise is a 17.6 Mph, planing on a 0.64 miles per gallon, giving the boat a cruising level of 463 miles.

Together with the integral swim platform the 530 is almost 54 feet overall, hence there’s plenty of room to house all water sports activities; its about 19 feet far above from the water line to the radar arch; and with that entire vertical real estate supplements to great headroom below.

Style can encompass a big sway on the kind of craft you will buy. If your savor runs toward a large comfy cruising yacht with the kind of approach that pleases the eye, Carver’s 530 Voyager Pilothouse may just be your starship.

Specifications

Length Overall53′ 9’’ (w/platform)

Dry Weight 48,500 lbs.

Beam15′ 4”

Fuel Cap 800 gal.

Draft4′ 9”

Water Cap 200 gal.

Deadrise/Transom N/A

Bridge Clearance 19′ 0”

Max Headroom 6′ 11”

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CARVER YACHTS – The Carver 506 Motoryacht

CARVER YACHTS – The Carver 506 Motoryacht

HYPERLINK “http://www.boattest.com/boats/boat_video.aspx?ID=61” http://www.boattest.com/boats/boat_video.aspx?ID=61

HYPERLINK “http://www.yachtingmagazine.com/article/Space-Ship” http://www.yachtingmagazine.com/article/Space-Ship

HYPERLINK “http://www.hansonsouvenir.com/” http://www.hansonsouvenir.com/

HYPERLINK “http://www.classerental.com/austin/boats/yachts/carver.html” http://www.classerental.com/austin/boats/yachts/carver.html

CARVER YACHTS – The Carver 506 Motoryacht

It’s more of a “floating condo” rather than your all-season home away craft. Standing 51-foot, 7-inch LOA and 4-inch beam, she has exterior lines that carve neatly throughout. The 506 Motoryacht coalesces striking styling and opened interior rooms in all-new version of the aft cabin motoryacht. In fact, the entire interior is generously done in cherry, while her finish is superior – all hardware, fittings and fabrics illustrate first-class. Sure, Carver has time and again pressed the envelope to this hold: Actually, slapping the manufacturing and automotive industries for inspiration amid the occasional-stale state marine blueprint.

Today, the company is paying more attention to innovative build and added spaciousness aboard with realistic price points. And the Carver’s new 506 is a great example of not just a natter, but a declaration put into play.

With an appealing contemporary approach to styling, the 506 delivers a layout one might mistake with a 60-footer. She accompanies what is basically an elevated pilothouse; entirely enclosed and air-conditioned on a comfortable L-shaped lounge area with halogen illumination/lights. The helm lounge bench seats three with a full wet bar, while on the opposite is a simulated burled-wood trim dash and adjustments for usual electronics such as – optional ice maker and refrigerator. And when things get tropic, fresh air is abundance – thanks to the standard smoked-acrylic sunroof that operates automatically.

Aft deck

The 506’s aft deck is integrated with an elevated bridge which is totally enclosed and air-conditioned. The overall design facilitates a great view aft for the captain and direct contact with guest on the aft deck or the bridge. Guide to the vaguely raised side decks, sideboarding gates and bow is through a thoughtful wing door. Even though you won’t find a built-in seating, the 118 square feet area will easily house loose seating crew and a cocktail table. In conclusion, the third door makes way to the swim platform or the same utilized as a boarding platform.

Salon

Wide open spaces notion continues belowdecks: Entrance to the salon is through gliding stainless-steel framed glass door, which dining and the galley are all incorporated into one big area. Interestingly, the carver designers must have figured out how space would be of use if properly configured. The salon itself was incorporated with raised side decks thus, functional space extends all the way beam to the hull sides with substantial effects on spaciousness. Forward looking directly at the galley, is a dinning area with wooden flooring and simulated-stone countertops; an L- shaped settee is to port inwale, with adorable chaise longue size and double built-in recliners seats to starboard. On top and beneath the sidedeck plane are frameless windows, which give way for ample illumination; once again kudos to the Carver’s aluminum-framing technology within the walls to put up this vast living area which is free of partitions.

Staterooms

On the aft, cherry wood trim invites the master stateroom. This is where you’ll notice much classiness and style in the Carver 506 Motoryacht. Incorporated is a queen-sized island berth on an innerspring mattress. What’s more, there is a sink quarter plus few cedar-lined hanging lockers, night tables, integral settee and two private shower heads included in separate compartments. Forward of the saloon is the adversary two guest staterooms, one positioned in the forepeak which accompanies queen island berth and a secluded access to its own ensuite head with stall shower. Superior finish becomes evident here as witnessed by craggy hinges in all the cabin doors, cherry flooring throughout and two cedar- line hanging lockers – (automated lighting). The second guest stateroom is a bit confined and kids would well suit this room, nonetheless it houses two berths and enclosed head.

Structural

Under the 2000 models, Carver incorporated new structural design wherein they put and end to wood below the waterline. The course of uniting two or more layers of material is modernized, with multidirectional strengthening and a vinylester skin cover for burn shield. A template of transverse frames and constant longitudinal stringers is molded disjointedly and attached to the hull. Partitions are done in marine plywood. The hull foot is a firm, handlaid laminate on six films of triaxial/mat underpinning. Foam coring thickens the hull surfaces (over the water line), while balsa-core hardens the decks and structure above the baseline. Welded aluminum beams hold the marine plywood salon sole, while fiberglass liners delineate the belowdecks housings. This is what Carver has devoted into refining building practices and to give customers assurance when on water: Further, with carver, you now have limited transferable warranty; one year general cover on systems, five years on blistering and seven years on structure.

Engine Compartment

Entrance to the engine compartment is via a hatch in the saloon which integrates the saloon sole and the steps that guide to the aft deck. It appears clumsy to lift, but when opened the engine section entrance is outstanding. The engine compartment extends to the span of the salon belowdecks.

Performance

In no doubt, given her interior room sported off by an enclosed pilothouse one would think that the Carver 506 Motor yacht would sprint along at trawler speeds. Well, her accompanied twin 450 hp Cummins diesel tested different: A recorded top end speed of almost 30 mph. Of course, if you consider a much bigger engine (635-hp Cummins); you ought to power beyond that barrier. As anticipated, with less notice, the 506 Carver is incredibly responsive enough to duck surface obstructions, thanks to the wide turning radius (at speed) almost certainly 10 crafts lengths. On acceleration, it’s gradual and smooth at cruise levels all the way. Interestingly, her lateral stability is very impressive; it’s what in contrast you may imagine for a flying bridge motoryacht. The 506 Carver’s 2-foot beam is rock steady at sea.

Any serious angler, cruiser or family excursion person wouldn’t consider a second presumption on the base price $600,000 (twin 450 hp Cummins included), ready to cruise those locations with debatable shore power or head on shore with doors open in northern climes. So while you’re already thinking of owning it, just know it’s what many dream of having!

Specifications

Length Overall- 51′ 7”

Dry Weight- 47,900 lbs

Beam -15′ 4”

Fuel Cap – 510 gal

Draft -4′ 6”

Water Cap – 158 gal

Deadrise/Transom N/A

Bridge Clearance – 20′ 10”

Maximum Headroom – 6′ 5”

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